И вечно солнце прокладывает свой путь от горизонта до горизонта, и вечно луна следует за ним, и вечно дни следуют за днями, не заботясь о жизнях, которые они стирают в прах одну за другой.
Кристофер Паолини
Эрагон. Брисингр
Любовь не преображает. Она просто срывает маски. Я думал, что я принц. А оказалось… Вот она, моя душа.
Виктор Пелевин “Священная книга оборотня”
“Adrenaline” injects a burst of energy into the album, capturing the exhilaration and intensity of life’s moments of excitement. The driving beats and electrifying sounds evoke the rush of adrenaline that accompanies daring feats and thrilling adventures. It’s a reminder that life’s greatest highs often come from stepping out of our comfort zones.
As Helen Keller once said, “Life is either a daring adventure or nothing at all” (Helen Keller). “Adrenaline” encourages us to embrace the challenges and risks that come our way, for it is in these moments that we truly feel alive.
“Analemma” unfolds as a celestial journey, both in title and composition. The term “analemma” refers to the figure-eight shape traced by the sun in the sky over the course of a year. This cosmic dance is mirrored in the music, creating an auditory tapestry that resonates with the rhythms of celestial bodies.
As the listener navigates the sonic constellations of “Analemma,” it becomes a meditation on the cyclical nature of existence. The music mirrors the dance of time, the highs and lows, the light and shadow. The composition serves as a reminder that, like the sun’s analemma, life’s journey is an intricate dance of continuity and change.
“Time is a created thing. To say ‘I don’t have time,’ is like saying, ‘I don’t want to.'”
(Lao Tzu)
“Angel’s Next Day (Adam Liria Remix)” unfolds as a rhythmic interpretation that elevates the original track into a celestial dance of beats. The remix becomes a sonic exploration of the delicate balance between earthly and ethereal, where beats become the wings that carry the listener into the celestial realms of the dance floor. The rhythmic flight, like an angel’s dance, becomes a melodic journey through the divine and the earthly.
In the celestial beats of this remix, there’s an invitation to transcend the earthly constraints on the dance floor. It becomes a melodic reminder that, in the symphony of beats, the dance floor becomes a celestial playground where angels and mortals unite in the dance of existence—a musical journey that celebrates the divine within the rhythmic embrace.
“Music gives a soul to the universe, wings to the mind, flight to the imagination, and life to everything.”
(Plato)
In this urban stone forest, where human life buzzes like bees in a hive, “Angel’s Next Day” symbolizes the fleeting moments of serenity and hope. It’s a reminder that amidst the mechanized existence, we can find glimpses of purity and grace. Like an angel’s visit, these moments offer a respite from the daily grind, allowing us to connect with something deeper within ourselves.
“In the midst of movement and chaos, keep stillness inside of you.” (Deepak Chopra)
Не так давно народу стали позволять высказывать своё мнение на выборах нового правителя. Такой политический ход сам по себе является мощной связующей силой, дающей членам суперплемени ощущение принадлежности к своей группе и возможности влиять на её жизнь. Как только новый руководитель выбран, становится понятно, что влияние народа вовсе не такое весомое, как представлялось раньше, но во время выборов ощутимый ветерок социальной исключительности всё-таки освежает просторы общества.
Десмонд Моррис
Людской зверинец
“Anxiety” delves into the intricate realms of the human psyche, using music as a medium to articulate the nuanced emotions associated with anxiety. The title alone resonates universally, offering a glimpse into the often tumultuous landscape of the mind.
The composition becomes a sonic exploration of the ebb and flow of anxiety—a rhythmic dance of tension and release. It prompts reflection on the universal experience of navigating the currents of unease and the profound resilience found in facing inner storms. “Anxiety” serves as a musical companion for those moments when the cacophony of the mind seeks understanding and solace.
“Our anxiety does not empty tomorrow of its sorrows, but only empties today of its strengths.”
(Charles Haddon Spurgeon)
“Any Soul” returns to a more introspective and contemplative mood. Its title suggests that the themes explored in this track are universally relatable. The gentle melodies and introspective sounds invite us to reflect on the nature of the human soul and the shared experiences that connect us all.
In the words of Rumi, “You are not a drop in the ocean. You are the entire ocean in a drop” (Rumi). “Any Soul” reminds us of our interconnectedness and the profound depth of the human experience.
Everybody is a genius. But if you judge a fish by its ability to climb a tree, it will live its whole life believing that it is stupid.
Albert Einstein
In the surreal soundscape of “Artificial Berries,” we are transported to a world where time’s boundaries blur and the line between the natural and the artificial becomes indistinguishable. It reminds us that time is not a fixed construct, but a fluid canvas upon which the strokes of progress and innovation paint new landscapes. As we drift through this composition, we contemplate the harmony that can exist between humanity’s technological advancements and the timeless beauty of nature.
“Artificial Berries” challenges us to reconsider our perceptions of time and progress. It is a gentle reminder that the future is not a distant horizon but a canvas we paint with our choices today. As Alan Watts once said, “The only way to make sense out of change is to plunge into it, move with it, and join the dance.” In this surreal journey, we find ourselves dancing on the edge of time, where the artificial and the natural coalesce into a mesmerizing tapestry of possibilities.
“Away From Home (Aruimo Remix)” emerges as a rhythmic interpretation that transports the original track into a melodic journey through the landscapes of nostalgia. The remix becomes a sonic exploration of the dance floor’s memories, where beats become echoes of places and moments left behind. The rhythmic journey, like a dance of reminiscence, invites the listener to travel through the corridors of memory on the dance floor.
In the rhythmic journey of this remix, there’s an invitation to embrace the beauty found in the dance floor’s nostalgic echoes. It becomes a melodic reminder that, in the symphony of beats, the dance floor becomes a vessel that carries the listener back to moments that linger in the heart—a musical journey that celebrates the timelessness of rhythmic memories.
“Nostalgia is a file that removes the rough edges from the good old days.”
(Doug Larson)
“Chillout Remix” breathes new life into the familiar strains of “Away From Home,” transforming the pulsating beats into a gentle lullaby for the wandering soul. The ethereal echoes of synthesizers create an auditory sanctuary, a refuge for those seeking solace in the embrace of music. The remix unfolds like a traveler’s journal, documenting the emotional landscapes traversed in the quest for belonging. It is a reminder that sometimes, the journey itself becomes the destination.
“Music is the divine way to tell beautiful, poetic things to the heart.” (Pablo Casals)
The “Cinematic Remix” of “Away From Home” unfolds like a visual narrative, each note a brushstroke on the canvas of imagination. The sweeping orchestration and dramatic crescendos evoke a sense of epic storytelling, inviting listeners to embark on a cinematic journey within their minds. It is a testament to the transformative power of music, transcending the auditory realm to become a visual tapestry of emotions.
“Music can change the world because it can change people.” (Bono)
“The Night” unfolds as a nocturnal sonata, casting shadows that dance with the flickering flames of introspection. The haunting melodies evoke a sense of wanderlust, a yearning for the unknown realms that only reveal themselves under the cover of darkness. It is a musical embrace of the enigmatic, an invitation to explore the mysteries that unfold when the world is bathed in the obsidian hues of the night.
“All great and beautiful work has come of first gazing without shrinking into the darkness.” (John Ruskin)
“Back To The Sun” marks a thematic return, both metaphorical and literal. The title suggests a journey toward illumination, a narrative arc that brings the listener back to a source of light and warmth. The composition, with its uplifting tones, becomes a sonic voyage toward renewal and clarity.
As the music guides the listener back to the sun, it prompts contemplation on the cyclical nature of rebirth and the perpetual journey of rediscovery. It serves as a musical affirmation that, no matter how deep the shadows, there is always a path leading back to the light.
“Keep your face always toward the sunshine—and shadows will fall behind you.”
(Walt Whitman)
От измены не жди союза. От лукавства не жди помощи.
Дмитрий Емец “Мефодий Буслаев. Свиток желаний”
“Black Suspense” takes us on an emotional rollercoaster, evoking moments of anxiety and uncertainty as the astronauts encounter unexpected challenges in the cosmic expanse. The music generates tension, much like the high-stakes situations we encounter in life, reminding us of our capacity to confront adversity.
In the cosmic ballet of existence, challenges and uncertainties are inevitable. “Black Suspense” serves as a reminder that it is precisely in these moments of doubt and suspense that our resilience is forged. Victor Frankl’s words echo through the music, reminding us that, even in the face of the unknown, we have the inner strength to prevail: “When we are no longer able to change a situation, we are challenged to change ourselves.”
As we journey through the dark suspense of life’s challenges, we are called to embrace the uncertainty with courage and determination. Just as the astronauts face the void with unwavering resolve, we too can navigate the darkest passages of existence with fortitude.
“Breaking the Chain” is a call to break free from the monotonous routines and societal expectations that bind us. It’s a reminder that true liberation often requires us to challenge conventions and question the status quo, forging our own path in the process.
“The only way to deal with this life is to find one’s path, and stay on it, come what may.” (Henry James)
The title “Bullying Proof” introduces a stark thematic shift, delving into the societal and personal dimensions of conflict and resilience. The music, with its assertive beats and defiant undertones, becomes a sonic battleground where resilience confronts adversity.
“Bullying Proof” prompts reflection on the nature of inner strength and the resilience needed to navigate a world marked by challenges. The composition serves as a reminder that, like music, the human spirit can rise above discordant notes and find harmony even in the face of adversity.
“Strength does not come from the body. It comes from the will.”
(Arnold Schwarzenegger)
“Busy Line” returns to the hustle and bustle of everyday life. The track’s title and energetic beats mirror the frenetic pace of modern society. It’s a reflection on the constant activity and noise that often distract us from deeper introspection and connection.
In the words of Blaise Pascal, “All of humanity’s problems stem from man’s inability to sit quietly in a room alone” (Blaise Pascal). “Busy Line” invites us to pause amidst the chaos, to find moments of stillness and reflection, and to reconnect with our inner selves.
Хорошие пары должны умирать в один день, как сказочные герои.
Макс Фрай
Большая телега
Он два или три раза перешёл вброд через маленький ручей, потому что среди мальчишек распространено поверье, будто это сбивает погоню со следа.
Марк Твен “Приключения Тома Сойера”
“City Traffic” pulses with the vibrant energy of breakbeat, capturing the chaotic rhythm of urban existence. The title encapsulates the symphony of sounds that define city life—the honking horns, the hurried footsteps, the overlapping conversations. Breakbeat, with its dynamic beats, becomes the soundtrack to the relentless pulse of the metropolis.
As the beats synchronize with the heartbeat of the city, questions emerge about the balance between chaos and order, individuality and collective motion. It prompts contemplation on the role of each individual in the cacophony of city life and the dance of humanity in the urban landscape. In the words of Jane Jacobs, “Cities have the capability of providing something for everybody, only because, and only when, they are created by everybody.” “City Traffic” invites us to find harmony within the chaos, recognizing the collective composition of the urban symphony.
Одиночество — разновидность компании.
Марк Леви
Она & Он
“Clovis” takes on a more mysterious and enigmatic tone. The track’s title, like a riddle, invites listeners to contemplate its meaning. It’s a reminder that life is filled with mysteries and unanswered questions, and sometimes the pursuit of understanding leads us down unexpected paths.
In the words of Carl Sagan, “Somewhere, something incredible is waiting to be known” (Carl Sagan). “Clovis” encourages us to embrace the mysteries of life and to remain curious and open to the wonders that await us.
The enigmatic title of “Cobra Effect” hints at the unintended consequences of our actions. The track’s dark and mysterious atmosphere underscores the idea that our attempts to solve one problem can sometimes create even greater challenges. It’s a cautionary tale about the complexities of cause and effect.
As Isaac Asimov wisely noted, “The saddest aspect of life right now is that science gathers knowledge faster than society gathers wisdom” (Isaac Asimov). “Cobra Effect” urges us to think deeply about the repercussions of our choices and to seek wisdom in our pursuit of solutions.
Там, где говорит сердце, разуму возражать не пристало.
Милан Кундера “Невыносимая лёгкость бытия”
“Contumacious” encourages us to be defiant in the face of conformity. In a world where obedience to societal norms is often expected, this track reminds us that it’s okay to challenge authority and stand up for what we believe in. It’s a call to be rebellious when necessary, to question authority, and to champion our own values.
“The only way to deal with this life is to find one’s path, and stay on it, come what may.” (Henry James)
“Cosmoport” beckons us into the next phase of our journey—a phase marked by preparation and anticipation. In its mesmerizing rhythm, we discern the steady heartbeat of human determination and the meticulous orchestration of dreams taking flight. Just as the astronauts meticulously prepare for their cosmic voyage, so too must we prepare for the grand undertakings in our own lives.
This track resonates with the wisdom of Lao Tzu, who reminds us that great journeys commence with a single step. It is a gentle nudge, prompting us to recognize that the universe unfolds one moment at a time. The moments leading up to the grand event are as vital as the event itself. Every small effort, each meticulous preparation, contributes to the grandeur of the voyage ahead.
In the world of “Cosmoport,” we are challenged to reflect upon the significance of preparation in our lives. It serves as a poignant reminder that our dreams and aspirations are not mere destinations but ongoing narratives shaped by the choices and preparations we make along the way.
In the opening track of this electronic odyssey, “Crazy World” we are immediately confronted with the chaotic nature of existence. The frenetic beats and dissonant synths mirror the unpredictability of life itself. It’s a reminder that the world can be a bewildering place, full of unexpected twists and turns. In the face of this madness, we must find our own sense of order and meaning.
As Albert Camus once said, “In the midst of winter, I found there was, within me, an invincible summer” (Albert Camus). “Crazy World” urges us to discover our inner strength and resilience, even when faced with the chaos of the world.
“Cyprus Morning” offers a moment of respite, a serene pause in the midst of chaos. The gentle melodies and soothing sounds evoke the tranquility of a Mediterranean morning. It’s a reminder that even in the most turbulent times, moments of peace and beauty can be found.
In the words of Henry David Thoreau, “You must live in the present, launch yourself on every wave, find your eternity in each moment” (Henry David Thoreau). “Cyprus Morning” encourages us to savor the present and find solace in the simple pleasures of life.
“Cyprus Morning (Adam Liria Remix)” emerges as a rhythmic interpretation that bathes the original track in the golden hues of a Mediterranean sunrise. The remix becomes a sonic journey through the tranquil landscapes of the dance floor, where beats become gentle waves caressing the shore of consciousness. The rhythmic sunrise, like a morning in Cyprus, invites the listener to immerse themselves in the warmth of the dance floor’s awakening.
In the rhythmic dawn of this remix, there’s an invitation to embrace the beauty found in the serenity of the dance floor’s morning. It becomes a melodic reminder that, in the symphony of beats, the dance floor becomes a tranquil haven where the morning light reveals the beauty of existence—a musical journey that celebrates the dawn of new experiences.
“Every morning was a cheerful invitation to make my life of equal simplicity, and I may say innocence, with Nature herself.”
(Henry David Thoreau)
…подступающая смерть делает человека значительней и его начинают больше уважать.
Эмиль Ажар
Вся жизнь впереди
Боже, как смешон страх показаться смешным!
Фредерик Бегбедер “Идеаль”
“Deep Night” unveils a sonic nocturne, a musical exploration of the profound mysteries that unfold under the cover of darkness. The title carries a sense of depth and obscurity, and the composition becomes a melodic journey into the enigmatic realms of the night. The music, with its atmospheric tones, becomes a canvas for contemplation on the secrets that emerge when the world is bathed in shadows.
As the night unfolds in the notes of “Deep Night,” there’s an invitation to delve into the depths of introspection. It becomes a melodic meditation on the beauty found in embracing the unknown and finding solace in the mysteries that emerge when the world is hushed in nocturnal stillness.
“The night is the hardest time to be alive and 4am knows all my secrets.”
(Poppy Z. Brite)
“Deprivation” unfolds as a stark meditation on absence and lack. The minimalist electronic pulses create a sense of emptiness, akin to a vacuum left by something that was once there. The absence is palpable, almost tangible, inviting introspection on the nature of loss and its impact on the human psyche. Through the barren soundscape, the listener is prompted to confront the void within, contemplating whether deprivation is a void to be filled or a space for self-discovery.
“In deprivation, we discover the contours of our soul, shaped by the absence that defines us.” (Søren Kierkegaard)
“Digital Fields” delves into the realm of technology and virtual reality. The futuristic soundscape mirrors the digital landscapes we increasingly inhabit. It’s a contemplation of the ways in which technology is shaping our perception of reality and the boundaries between the physical and virtual worlds.
As Marshall McLuhan observed, “We become what we behold. We shape our tools, and thereafter our tools shape us” (Marshall McLuhan). “Digital Fields” reminds us of the profound impact technology has on our lives and encourages us to be mindful of the choices we make in this digital age.
В последнее время ей казалось, что секс с ней для мужа был чем-то вроде — как ей вообще могло прийти в голову? — католической мессы. Достаточно прийти в костел, ни о чём не думая, а потом неделю можешь жить спокойно.
Януш Леон Вишневский “Одиночество в Сети”
“Dying Twice” explores the concept of living a life unfulfilled, where one dies a spiritual death long before the physical one. It implores us to seek our passions and purpose, rather than merely existing, and to break free from the shackles that prevent us from truly living.
“The fear of death follows from the fear of life. A man who lives fully is prepared to die at any time.” (Mark Twain)
The title “Empty Pack in My Pocket” carries a sense of metaphorical weight, suggesting the remnants of experiences and the passage of time. The music, with its contemplative tones and rhythmic nuances, becomes a soundtrack for reflection on the transient nature of existence.
In the emptiness of the metaphorical pocket, there lies a narrative of experiences, choices made, and moments passed. The composition serves as a poignant reminder that, like an empty pack, life accumulates the echoes of moments—some ephemeral, some enduring. It prompts contemplation on the impermanence of the tangible and the eternal resonance of the intangible.
“The only thing you sometimes have control over is perspective. You don’t have control over your situation. But you have a choice about how you view it.”
(Chris Pine)
“Endless Pain in My Heart” introduces a profound exploration of emotional landscapes, using music as a conduit for the depths of human suffering. The title itself carries a weight of unrelenting sorrow, and the composition becomes a sonic journey through the labyrinth of heartache. The music, with its emotive tones, becomes a cathartic expression of the pain that echoes endlessly.
In the haunting melodies of this track, there’s an invitation to confront the profound nature of suffering and find solace in the shared experience of pain. “Endless Pain in My Heart” becomes a melodic testament to the resilience of the human spirit, a reminder that even in the depths of sorrow, there is a melody waiting to be heard.
“The wound is the place where the light enters you.”
(Rumi)
“Evening” introduces a change of tempo and mood, capturing the essence of a day winding down. The title itself suggests a transitional phase, and the music becomes a soundtrack for the reflective moments as daylight fades. The composition mirrors the nuances of dusk, a time when the world is bathed in subtle hues and introspection takes center stage.
In the contemplative notes of “Evening,” one is invited to reflect on the beauty found in transitions. The music becomes a companion for moments of introspection, a serene backdrop for thoughts that surface as the day comes to a close. It’s a sonic reminder that, in the gentle cadence of evening, there’s a unique space for reflection and appreciation.
“Every evening I turn my worries over to God. He’s going to be up all night anyway.”
(Mary C. Crowley)
“Evening (Aruimo Remix)” unfolds as a rhythmic interpretation that captures the essence of the twilight hours on the dance floor. The remix becomes a sonic exploration of the dance floor’s transition from day to night, where beats become whispers of the approaching evening. The rhythmic twilight, like a dance of shadows, invites the listener to surrender to the atmospheric embrace of the electronic night.
In the rhythmic twilight of this remix, there’s an invitation to embrace the beauty found in the dance floor’s transition. It becomes a melodic reminder that, in the symphony of beats, the dance floor becomes a canvas for the dance of shadows and the allure of the approaching evening—a musical journey that celebrates the atmospheric beauty of the rhythmic twilight.
“Every evening I turn my worries over to God. He’s going to be up all night anyway.”
(Mary C. Crowley)
“Father’s Heart (Adam Liria Remix) – Reprise” reintroduces the rhythmic interpretation, offering a variation that echoes with the resonance of the original track. The remix becomes a rhythmic reprise, inviting the listener to revisit the beats and melodies with a fresh perspective. The beats, like a familiar heartbeat, carry the listener through the dance floor’s nostalgic echoes.
In the rhythmic reprise of this remix, there’s an invitation to dance with the memories imprinted on the dance floor. It becomes a melodic reminder that, in the symphony of beats, each revisit is a reunion with the past—a musical journey that celebrates the timeless nature of the dance floor’s memories.
“Nostalgia is a file that removes the rough edges from the good old days.”
(Doug Larson)
“Father’s Heart (On Fire)” in its Adam Liria Remix takes the original track and infuses it with the fiery energy of the club scene. The remix becomes a sonic inferno, capturing the essence of passion, intensity, and the blazing spirit of the dance floor. The beats, like flames, dance with fervor, embodying the transformative power of music to set the soul on fire.
In the blazing rhythm of this remix, there’s an invitation to surrender to the incandescent energy of the club. It becomes a melodic reminder that, in the symphony of beats, the dance floor becomes an altar of passion—a musical journey that ignites the fire within and propels the listener into the ecstatic realms of self-discovery.
“Music is the divine way to tell beautiful, poetic things to the heart.”
(Pablo Casals)
“Father’s Heart” introduces a poignant exploration of paternal emotions, revealing a depth of sentiment and vulnerability. The title suggests a connection to the paternal role, and the music becomes a conduit for expressing the intricate layers of a father’s heart.
As the composition unfolds, it becomes a meditation on the complexities of fatherhood—tender, protective, and at times, vulnerable. The music captures the essence of a paternal journey, from the gentle lullabies of infancy to the supportive rhythms of guidance. “Father’s Heart” invites listeners to reflect on the universal theme of parental love and the profound impact it has on the symphony of one’s life.
“A father’s goodness is higher than the mountain, a mother’s goodness deeper than the sea.”
(Japanese Proverb)
Человек в конечном итоге может осуществить лишь некоторые свои мелкие желания, крупные так и остаются мечтами.
Фэн Цзицай “Полет души”
“First Contact” immerses us in the expansive realms of dark ambient, becoming a sonic odyssey that mirrors the awe and trepidation of encountering the unknown. The title itself sparks contemplation on the significance of first impressions, not only in interstellar encounters but also in the microcosms of our daily interactions. Dark ambient becomes the auditory spacecraft through which we navigate the uncharted territories of new beginnings.
As the atmospheric notes unfold, questions emerge about the nature of discovery, connection, and the potential for transformation inherent in every encounter. It prompts contemplation on the courage required to venture into the unknown and the resilience needed to navigate the complexities of new relationships. In the words of Arthur C. Clarke, “The only way of discovering the limits of the possible is to venture a little way past them into the impossible.” “First Contact” invites us to venture beyond our comfort zones, embracing the possibilities that unfold when we dare to make first contact.
Нам хорошо вместе. И неважно, какую форму обретет это «хорошо» — если двоим этого достаточно, то все различия теряют значение.
Эльчин Сафарли
Мне тебя обещали
“In the garden of life, we are but fleeting flowers, each note a petal in the melody of existence.” (Rabindranath Tagore)
“Flowers (Adam Liria Remix)” unfolds as a rhythmic interpretation that blossoms with the vibrancy of electronic beats. The remix becomes a sonic bouquet, where beats become petals unfurling on the dance floor’s canvas. The rhythmic blossoming, like a dance of flowers, invites the listener to lose themselves in the fragrant embrace of the dance floor.
In the rhythmic petals of this remix, there’s an invitation to embrace the beauty found in the dance floor’s blossoming. It becomes a melodic reminder that, in the symphony of beats, the dance floor becomes a garden where electronic flowers bloom, and the fragrance of music fills the air—a musical journey that celebrates the ephemeral beauty of the rhythmic garden.
“The earth laughs in flowers.”
(Ralph Waldo Emerson)
Женщина перестаёт быть женщиной, в тот момент, когда мужчина для неё становиться лишь альтернативой одиночеству.
//
A woman ceases to be a woman, at the moment when a man for her becomes only an alternative to loneliness.
Palaraga
In the sultry embrace of “Forced Womanization,” the ethereal notes of the lounge style weave a sonic tapestry that mirrors the complexities of societal dynamics. The very title sparks contemplation on power dynamics and societal expectations, much like a delicate dance where roles are assigned without consent. The music, like a languid river, carries us through the uncharted territories of human relationships, where dominance and submission play a clandestine game. The lounge beats echo the whispers of unspoken narratives, inviting us to question the norms we accept without scrutiny.
As the intoxicating rhythm envelops the listener, one cannot help but ponder the nature of control and the façade of consent. In this sonic realm, emotions take center stage, dictating the ebb and flow of the musical current. It beckons us to explore the subtle nuances of influence and the shades of meaning that lie beneath the surface. In the words of Marcel Proust, “The real voyage of discovery consists not in seeking new landscapes, but in having new eyes.”
“Foreign Path” takes the listener on a rhythmic journey through uncharted territories, both literal and metaphorical. The beats become footsteps on an unfamiliar trail, echoing the words of J.R.R. Tolkien: “Not all those who wander are lost.” The composition invites the listener to embrace the beauty found in the exploration of foreign paths, to revel in the mysteries that unfold with each rhythmic step. It becomes a melodic reminder that, in the symphony of life, the foreign paths are the ones that often lead to the most profound discoveries.
Вернется ли когда-нибудь та свежесть, беззаботность, потребность любви и сила веры, которыми обладаешь в детстве? Какое время может быть лучше того, когда две лучшие добродетели — невинная веселость и беспредельная потребность любви — были единственными побуждениями в жизни?
Лев Николаевич Толстой “Детство”
Когда у тебя есть сила и власть, ты можешь либо творить зло, как Джанин, а можешь — добро, как мы. Сама по себе власть злом не является.
Вероника Рот “Эллигент”
Значит, если каждый будет стараться изменить себя и свое окружение, то будет легко изменить весь мир. Если мы хотим изменить мир, нужно начать с самих себя. Нет смысла обвинять во всех грехах других людей или общество. Это не поможет изменить мир.
Мринал Кумар Гупта “Как быть счастливым всегда”
“Get Back” introduces a dynamic rhythm, a sonic call to action that propels the listener forward. The title itself carries a sense of momentum, and the composition becomes a melodic journey through the currents of movement and progress. The music, with its pulsating beats, becomes a soundtrack for the drive to move forward, to “get back” to the essence of self.
In the rhythmic cadence of “Get Back,” there’s an invitation to reflect on the resilience found in forward motion. It becomes a melodic reminder that, in the symphony of life, the journey is as significant as the destination, and the beauty lies in the perpetual dance of progress.
“Keep on going, and the chances are that you will stumble on something, perhaps when you are least expecting it.”
(Charles F. Kettering)
“Ghost Wood” delves into the concept of memory and nostalgia. Like a spectral forest of forgotten moments, it reminds us that the past, though intangible, continues to shape our present and future. It’s an invitation to embrace our memories and learn from them.
“Memory is the diary we all carry about with us.” (Oscar Wilde)
“Gray Dress (Melancholy)” captures the feeling of melancholy that can sometimes permeate our lives. It reminds us that sadness is a part of the human experience and that even in our lowest moments, there can be a quiet beauty to be found.
“The cure for anything is saltwater: sweat, tears, or the sea.” (Isak Dinesen)
Повторить подробное содержание зачитанной мне инструкции я не берусь. Смысл состоял в том, что я буду должен сделать всё, что я должен делать, и не должен делать ничего такого, чего я делать не должен.
Пояснение к цитате:
Макс Фрай
Джуба Чебобарго и другие милые люди
“Half of the Life” introduces a reflective composition, a sonic meditation on the passage of time. The title suggests a midpoint in the journey, and the music becomes a melodic exploration of the complexities and revelations that come with reaching this juncture. The composition, with its contemplative tones, becomes a musical mirror to the introspective moments that arise in the midst of life’s trajectory.
In the introspective notes of this track, there’s an invitation to reflect on the profound nature of the journey thus far. “Half of the Life” becomes a melodic reminder that, at the midpoint, there is a wealth of experiences to appreciate and lessons to carry forward, urging the listener to embrace the beauty found in the ongoing narrative of existence.
“The journey of a thousand miles begins with one step.”
(Lao Tzu)
“Hibakusha” unfolds as a contemplation on the legacy of survival. The electronic beats convey a sense of resilience, mirroring the strength of those who have endured profound adversity. It’s a musical exploration of the indomitable human spirit in the aftermath of catastrophe. The track prompts reflection on the transformative power of survival, suggesting that within the crucible of hardship, there emerges a strength that transcends the boundaries of mere existence.
“Out of difficulties grow miracles.” (Jean de La Bruyère)
As we transition to “Hibernation,” the music gently guides us into a state of repose and introspection. The astronauts, in their deep slumber, symbolize the universal need for rest and rejuvenation in our own lives. This track resonates with the profound wisdom of Søren Kierkegaard: “Life can only be understood backward, but it must be lived forwards.”
In our hectic, modern lives, we often neglect the importance of rest. “Hibernation” serves as a melodic reminder that moments of stillness and self-reflection are essential. It is during these pauses that we gain clarity and perspective, allowing us to navigate the tumultuous seas of existence with renewed vigor.
As we listen to “Hibernation,” we are urged to embrace the tranquil sanctuary within ourselves. It is a call to recognize that, just as the astronauts draw strength from their rest, so too can we find solace and wisdom in moments of quiet contemplation.
“High Speed, Wrong Way” races through the auditory senses with the pulse of energy, reflecting the frenetic pace of modern existence. The title itself suggests a divergence from the conventional path, a daring venture into uncharted territories fueled by the relentless force of momentum. The energy genre, with its pulsating beats, becomes a sonic vehicle hurtling through the cacophony of life.
As the beats synchronize with the heartbeat of a fast-paced world, questions arise about the direction we’re heading and the consequences of our choices. It prompts introspection on the pursuit of speed at the expense of meaning. In the words of Milan Kundera, “Speed is the form of ecstasy the technical revolution has bestowed on man.” “High Speed, Wrong Way” challenges us to examine whether the thrill of speed is leading us astray or propelling us towards a meaningful destination.
Тебе хорошо со мной, а с самим собой – не очень. Ты неустанно ищешь приключений, чтобы отвлечься от чего-то важного. Тебе нужно постоянно впрыскивать в кровь адреналин, ты забываешь, что в жилах должна течь кровь – и ничего больше.
Пауло Коэльо “Заир”
In “I Miss You So Much” the album takes a poignant turn, weaving a tapestry of emotions that resonate deeply within the human soul. It captures the heart-wrenching experience of astronauts separated from their loved ones, adrift in the cosmic vastness. This track, with its haunting melodies, becomes a mirror reflecting our own experiences of separation and longing.
The music communicates the universal truth that our connections with loved ones transcend the boundaries of time and space. The astronauts, despite their astronomical distances, yearn for the warmth of human connection. Antoine de Saint-Exupéry’s words remind us that love is not confined to physical presence but thrives in the heart’s enduring yearning: “Love does not consist in gazing at each other but in looking outward together in the same direction.”
“I Miss You So Much” invites us to explore the depth of our own yearnings and the enduring power of love. It prompts us to cherish the bonds that connect us to others, reminding us that, even in the remotest reaches of the cosmos, the human heart remains the lodestar of our existence.
Нужно иметь что-то общее, чтобы понимать друг друга, и чем-то отличаться, чтобы любить друг друга.
Поль Жеральди
“Illusion” takes us on a sonic journey through the world of perception and deception. The ethereal and elusive soundscape reminds us that our senses can be easily deceived, and reality is often a matter of perspective. It’s a reminder that what we perceive as truth may, in fact, be an illusion.
In the words of Arthur Schopenhauer, “Every truth passes through three stages before it is recognized. In the first, it is ridiculed. In the second, it is opposed. In the third, it is regarded as self-evident” (Arthur Schopenhauer). “Illusion” invites us to question our perceptions and consider the layers of truth that exist beneath the surface.
As the album progresses, “In Motel” invites the listener to pause and reflect on the rest stops along life’s highway. It underscores the significance of taking breaks, not just in travel, but in life itself. The smooth and relaxing sounds evoke a sense of tranquility, reminding us that it’s essential to recharge and find moments of peace amidst the chaos of existence. The subtle musical accents that create a mysterious atmosphere serve as a metaphor for the hidden gems and unexpected beauty that can be found in the most ordinary places.
“In the midst of movement and chaos, keep stillness inside of you.” – Deepak Chopra
“In Revolution” suggests that change is inevitable, and it’s up to us whether we embrace it or resist it. In a world constantly evolving, this track encourages us to be adaptable, to question the established norms, and to be agents of positive change.
“The world as we have created it is a process of our thinking. It cannot be changed without changing our thinking.” (Albert Einstein)
“In Search of Meaning,” delves into the existential quest for significance in a seemingly chaotic world. The beats mimic the rhythm of a relentless pursuit, echoing the human desire to unravel the mysteries of existence. The synthesizers create an atmosphere that alternates between anticipation and reflection, mirroring the emotional turbulence of a journey towards understanding. It prompts contemplation on the nature of meaning—whether it’s an inherent truth waiting to be discovered or a subjective construct shaped by individual perspectives.
“In the dance of existence, we search for the choreography that gives meaning to our steps.” (Albert Camus)
As the album progresses, “In Your Hands” emerges as a pivotal moment, both musically and thematically. The title suggests surrender and trust, perhaps in the hands of fate, love, or a higher power. The composition, with its intricate interplay of melodies and harmonies, evokes a sense of vulnerability and surrender.
“In Your Hands” becomes a meditation on relinquishing control—a recognition that there are forces beyond our influence. The music invites contemplation on trust, vulnerability, and the beauty found in surrendering to the flow of life. It’s a sonic exploration of the profound peace that comes with accepting the things beyond our control.
“Surrender to what is. Let go of what was. Have faith in what will be.”
(Sonia Ricotti)
«Один день — три осени» — китайский фразеологизм, означающий то чувство, когда ты настолько скучаешь по человеку, что один день тянется, как три года.
Алессандро Барикко
1900. Легенда о пианисте
“In Different” paints a musical landscape of emotional detachment. The stark, minimalistic notes mirror the stoic facade that shields the heart from the tumultuous currents of feeling. It is a sonic meditation on the delicate balance between vulnerability and self-preservation, a reminder that sometimes, indifference becomes a survival strategy in the symphony of human relationships.
“The only way to do great work is to love what you do.” (Steve Jobs)
“Inside” serves as the portal to an introspective journey within ourselves, a sonic exploration of the landscapes of our inner world. The music unfolds like a canvas, painting emotions and thoughts with ethereal sounds and pulsating beats. It beckons us to delve into the depths of our consciousness, to confront the complexities and subtleties that reside within.
As we navigate the sonic textures of “Inside,” we are reminded that our perception of the external world is intricately connected to our internal state. The external reality is but a reflection of our inner thoughts, emotions, and perspectives. This track prompts us to embrace introspection, acknowledging that the world we perceive is shaped by the lens of our own consciousness.
In the words of Carl Jung, “Your vision will become clear only when you can look into your own heart. Who looks outside, dreams; who looks inside, awakes.” “Inside” invites us to awaken to the richness of our inner world, recognizing that the true essence of our reality lies in the depths of self-discovery.
The “Inside (Adam Liria Remix)” transforms the introspective journey into a rhythmic dance, infusing energy into the exploration of our inner realms. The beats resonate with the heartbeat of introspection, creating a dynamic soundscape that invites movement and expression. This remix introduces a playful dimension to the contemplative process, reminding us that self-discovery can be a joyous and celebratory experience.
As we dance to the remix of our inner selves, we recognize that introspection is not a solemn undertaking but a vibrant celebration of our complexities. The fusion of beats and introspective melodies underscores the idea that the journey within is not a static endeavor but a dynamic, ever-evolving dance of self-awareness.
In the words of Friedrich Nietzsche, “And those who were seen dancing were thought to be insane by those who could not hear the music.” The “Inside (Adam Liria Club Remix)” encourages us to dance to the rhythm of our own introspection, even if others may not fully grasp the music that plays within us.
“Inside (Air)” takes the introspective journey to new heights, creating an atmospheric soundscape that mirrors the expansiveness of our inner horizons. The music breathes life into our contemplations, allowing thoughts to float like wisps of air, weightless and free. In this rendition, the concept of ‘inside’ extends beyond the boundaries of the self, reaching towards a collective consciousness that transcends individual experiences.
As the music envelops us, we are prompted to consider the interconnectedness of all beings. The air we breathe becomes a metaphor for the shared space of human existence, where our individual ‘insides’ converge and mingle. “Inside (Air)” invites us to recognize the delicate threads that connect us to the broader tapestry of humanity.
In the words of Rumi, “You are not a drop in the ocean. You are the entire ocean in a drop.” This track encourages us to expand our awareness beyond the confines of the individual self, acknowledging the vastness of our collective being.
The “Inside (Shantkray Remix)” pushes the boundaries of introspection, creating an avant-garde soundscape that challenges conventional notions of self-discovery. This experimental remix invites us to embrace the chaos and unpredictability of our inner worlds, where thoughts and emotions collide in a cacophony of sound.
As we navigate the experimental terrain of this remix, we are prompted to question preconceived ideas about the self. It suggests that introspection is not a linear journey but a nonlinear, ever-shifting exploration. The dissonant sounds and unexpected twists mirror the unpredictability of our inner landscapes, encouraging us to find beauty in the unconventional.
In the words of Alan Watts, “The only way to make sense out of change is to plunge into it, move with it, and join the dance.” The “Inside (Shantkray Experimental Remix)” invites us to join the dance of self-discovery, embracing the fluidity of our inner experiences and finding meaning in the ever-changing rhythms of our consciousness.
“Inside a Cold Glass” invites us to contemplate the transparency of our own lives. Just as we can see through glass, this track encourages us to examine our intentions, emotions, and vulnerabilities. It’s a call for introspection and self-awareness.
“The most difficult thing in life is to know yourself.” (Thales of Miletus)
“Intermeditation” invites us to find solace in moments of introspection and meditation. In the fast-paced world of wires and cool air conditioners, it’s crucial to pause and reconnect with our inner selves. This track encourages us to find peace amidst the chaos.
“You should sit in meditation for twenty minutes every day unless you’re too busy. Then you should sit for an hour.” (Old Zen Saying)
“Invasion” unfolds as an electronic narrative of conflict and confrontation. The beats create a sense of urgency and tension, mirroring the tumultuous dynamics of invasion. It’s a sonic exploration of the interplay between power and resistance, a meditation on the impact of external forces on the fabric of individual and collective existence. The track becomes an auditory canvas that prompts contemplation on the resilience required in the face of invasion and the potential for transformation in its aftermath.
“In the midst of chaos, there is also opportunity.” (Sun Tzu)
“It All Begins” signifies a new beginning. In the cyclic nature of life, it’s a recognition that every ending is a chance to start anew, with fresh perspectives and aspirations. It encourages us to embrace change and approach life with optimism.
“Every day is a new beginning.” (Eleanor Roosevelt)
The title “It’s All Gone” carries a sense of loss and finality. The music becomes an elegy, a poignant composition that echoes with the echoes of what once was. The somber tones and melancholic melodies create an emotional landscape, inviting listeners to traverse the terrain of nostalgia.
As one listens to “It’s All Gone,” there’s a recognition of the impermanence of all things. The music becomes a poignant meditation on the ephemeral nature of life’s moments, a reminder to savor the present before it too becomes a memory. It’s a musical journey through the bittersweet corridors of time.
“The saddest thing about love is that not only the love cannot last forever, but even the heartbreak is soon forgotten.”
(William Faulkner)
“Jupiter” transports us past the colossal gas giant, immersing us in a musical perception of its scale and might. The track conjures awe and wonder, serving as a potent reminder of the majestic forces that shape our universe. This encounter with Jupiter offers us an opportunity to contemplate our own existence in relation to the vast cosmic arena.
As we gaze upon Jupiter’s immense presence, we are reminded of the interconnectedness of all things in nature. Rachel Carson’s words resonate: “In nature, nothing exists alone.” Our planet, Jupiter, and all celestial bodies are intricately woven into the fabric of the cosmos. This interconnectedness extends to our lives, emphasizing our responsibility to protect and nurture the world we share.
“Jupiter” invites us to recognize the beauty and power that surround us, inspiring us to become stewards of the universe. In doing so, we contribute to the preservation of our delicate cosmic ecosystem and, by extension, our own existence.
Я обещал рассказать вам о своей сексуальной жизни. Собственно, рассказывать особенно не о чем, если вы не умеете читать по ладони.
Стивен Кинг “Ярость”
The album concludes with “Königssee,” a title that alludes to a specific place, perhaps a symbolic destination. The music becomes a sonic journey that leads the listener to a reflective culmination. The composition, with its expansive tones, creates a sense of arrival and closure.
As one immerses in the final track, there’s a contemplative atmosphere. The music becomes a vessel for reflection on the odyssey experienced throughout the album. It serves as a melodic denouement, inviting listeners to savor the echoes of the musical narrative and carry the resonance of the journey into the tapestry of their own lives.
“The journey of a thousand miles begins with one step.”
(Lao Tzu)
In the symphony of “Königssee,” the album finds its resolution—a harmonious conclusion to a musical expedition that explored the depths of human experience, emotion, and connection.
В жизни есть всего две возможности. Выжить или погибнуть. И большинство людей даже не видят, какой именно путь они избрали. Потому что они делают выбор, руководствуясь ложными побуждениями. Любовью, идеалами, мечтами, желаниями. Мир не изменился. В нём всегда шел естественный отбор и выживали наиболее приспособленные.
Клэр Мерле “Взгляд”
Cityscape meditation with relaxing sound and rain drops
As we approach Enceladus and the prospect of landing on its enigmatic surface, “Landing on Enceladus” captures the anticipation and excitement that precede this significant encounter. The music weaves a narrative of expectation and wonder, echoing the sentiments of explorers throughout history who have stood on the brink of discovery.
This track serves as a reflection of the human spirit’s unyielding curiosity. It reminds us of our innate drive to explore the uncharted, to venture into the unknown, and to seek answers to the mysteries that surround us. It is in these moments of bold exploration that humanity reaches for its fullest potential.
In the story of “Landing on Enceladus,” we find echoes of T.S. Eliot’s words: “We shall not cease from exploration, and the end of all our exploring will be to arrive where we started and know the place for the first time.” It is a testament to the idea that, in the act of discovery, we not only uncover the mysteries of the universe but also discover profound truths about ourselves.
Я никогда тебя не забуду, до самой смерти не забуду. А жить я буду долго, очень долго, это будет мне наказанием.
Колин Маккалоу “Поющие в терновнике”
“Le Mirage” envelops the listener in a sonic mirage, a musical oasis of contemplation and illusion. The title itself conjures images of ephemeral landscapes, and the composition mirrors this with its ethereal tones. The music becomes a meditation on the transient nature of reality, prompting the listener to navigate the mirage of existence.
As one immerses in the mirage of sound, there’s a recognition that life itself is a tapestry of illusions. “Le Mirage” becomes a melodic exploration of the dance between reality and perception, inviting contemplation on the beauty found in the elusive and the ever-changing nature of the world.
“Reality is merely an illusion, albeit a very persistent one.”
(Albert Einstein)
“Le Mirage (Adam Liria Remix)” emerges as a rhythmic interpretation that transforms the original track into a mirage of beats and melodies. The remix becomes a sonic oasis, where beats become shimmering illusions on the dance floor’s horizon. The rhythmic mirage, like a dance of the senses, invites the listener to lose themselves in the hypnotic allure of the electronic oasis.
“Imagination is more important than knowledge. For knowledge is limited, whereas imagination embraces the entire world, stimulating progress, giving birth to evolution.”
(Albert Einstein)
“Let Them Go” unfolds as a liberating composition, a musical anthem that echoes with the spirit of release. The title itself carries a sense of emancipation, and the music becomes a melodic exploration of the freedom found in letting go. The composition, with its empowering tones, becomes a sonic journey into the unburdening of the soul.
In the empowering notes of “Let Them Go,” there’s an invitation to embrace the beauty of release. It becomes a melodic reminder that, sometimes, the path to liberation lies in relinquishing what no longer serves, and in the symphony of life, letting go is a transformative act of self-love.
“Letting go means to come to the realization that some people are a part of your history, but not a part of your destiny.”
(Steve Maraboli)
“Life Is Better Than You Expect” unfolds as an optimistic anthem, a musical declaration that life, with all its uncertainties, holds unexpected joys. The title becomes a thematic guide for the listener to embrace a positive outlook. The music, with its uplifting tones, becomes a melodic celebration of the beauty found in the unexpected moments of joy.
In the harmonious notes of this track, there’s an invitation to appreciate the inherent goodness in life’s surprises. It becomes a melodic reminder that, even in the face of challenges, the journey is adorned with unforeseen moments of beauty, and life has a way of exceeding our expectations.
“Life is really simple, but we insist on making it complicated.”
(Confucius)
The penultimate track, “Life Without Heart (Epilogue),” serves as a reflection on the emotional landscape of existence. The electronic pulses convey a sense of vulnerability, mirroring the fragility of the human heart. It’s a contemplation on what life would be like without the emotional spectrum that defines our humanity. The absence of a heartbeat in the music becomes a metaphor for the desolation that would ensue in a world devoid of passion, empathy, and love.
“A life without heart is a melody without rhythm, a symphony without emotion.” (Kahlil Gibran)
Самый верный способ сохранить тайну — это заставить людей поверить, что они знают ответ… В этом случаи люди не станут задавать вопросов.
Фрэнк Герберт “Дети Дюны”
Любовь не может помешать человеку следовать Своей Судьбе. Если же так случается, значит, любовь была не истинная, не та, что говорит на Всеобщем Языке.
Пауло Коэльо “Алхимик”
“Loly in Love” presents a contrast to the previous track, offering a glimpse into the tender and emotional side of life. The gentle, romantic melodies evoke feelings of love and connection. It’s a reminder that amidst the chaos and challenges, love remains a profound and transformative force.
In the words of Rumi, “Do not be satisfied with the stories that come before you. Unfold your own myth” (Rumi). “Loly in Love” encourages us to write our own love stories, to seek and cherish the deep connections that make life meaningful.
